24 Hours in Bergamo: A Perfect Day in Italy's Hidden Gem

A bit of context

Bergamo, a picturesque city in northern Italy's Lombardy region, boasts a rich historical tapestry that spans centuries. Founded by the Celtic tribe of the Cenomani, Bergamo became a Roman municipality in 49 BCE, flourishing due to its strategic location along important trade routes. The remnants of Roman influence can still be seen today in the form of ancient walls and ruins scattered throughout the city. Its long history is divided between the upper city (Città Alta) with its medieval and Renaissance architecture, and the lower city (Città Bassa), which reflects more modern developments.

During the medieval period, Bergamo was a pivotal battleground for control between various factions. It was initially under the rule of the Lombards, a Germanic people who had invaded northern Italy, before coming under Frankish control in the 8th century. The 12th century saw Bergamo gain a degree of autonomy as a commune, though this independence was frequently threatened by the ambitions of neighboring Milan and Venice. Notably, in 1428, Bergamo became part of the Venetian Republic, a period marked by prosperity and the construction of many of the city's enduring landmarks, including the Venetian walls which now form part of a UNESCO World Heritage site.

The 19th century brought significant change to Bergamo with the rise of Napoleon Bonaparte, who ended Venetian rule in 1797. Subsequently, the city became part of the Cisalpine Republic and later the Napoleonic Kingdom of Italy. Following the fall of Napoleon, Bergamo was incorporated into the Austrian-controlled Kingdom of Lombardy-Venetia, before finally joining the unified Kingdom of Italy in 1859 after the Second War of Italian Independence. This period of unification saw Bergamo become an important center for the Italian Risorgimento, contributing significantly to the nationalistic fervor and efforts toward unification.

Today, Bergamo is celebrated not only for its historical heritage but also for its cultural and artistic contributions. The city is home to numerous museums, art galleries, and the renowned Donizetti Theatre, named after the famous composer Gaetano Donizetti who was born in Bergamo. Its vibrant cultural life, combined with the stunning landscapes of the surrounding Bergamasque Alps, makes Bergamo a compelling destination that beautifully blends historical depth with contemporary charm.

How to get there

Getting to Bergamo is relatively straightforward, thanks to its well-connected transport network. The city is primarily served by Orio al Serio International Airport (BGY), also known as Milan Bergamo Airport. Located just about 5 kilometers southeast of Bergamo's city center, this airport is a major hub for low-cost airlines and offers flights to numerous European destinations. Upon arrival, travelers can reach Bergamo by taxi, rideshare services, or the dedicated airport bus, which runs frequently and takes around 15 minutes to get to the city center.

For those traveling from Milan, there are several convenient alternatives. Milan is home to two major airports: Malpensa Airport (MXP) and Linate Airport (LIN). Malpensa, situated about 50 kilometers northwest of Milan, is the largest and busiest, offering extensive international and intercontinental flights. Linate, closer to the city center, mainly serves domestic and short-haul international flights. To get to Bergamo from these airports, one can take a shuttle bus directly from Malpensa or Linate to Bergamo, a service that operates multiple times daily and takes about an hour from Malpensa and slightly less from Linate.

Traveling by train is another efficient option. Bergamo has its own railway station, well-connected to major cities in northern Italy. From Milan, frequent regional trains run from Milano Centrale, Porta Garibaldi, or Milano Lambrate stations to Bergamo. The journey typically takes about an hour, providing a comfortable and scenic way to reach the city. Additionally, there are high-speed train options from other major Italian cities to Milan, making it easy to transfer to a regional train for the final leg to Bergamo.

Buses also offer a viable alternative for reaching Bergamo, with several companies operating routes from Milan and other neighboring cities. The journey by bus from Milan takes approximately one hour, with services departing from various locations in Milan, including Milano Centrale and Lampugnano bus station. These buses are a budget-friendly option, often providing direct routes with no need for transfers. Overall, whether by air, rail, or road, getting to Bergamo is convenient and accessible, ensuring a smooth start to exploring this historic and vibrant city.

How to move around

From Bergamo Airport to the City Center

Bus:

The most convenient way to get from Orio al Serio International Airport (BGY) to Bergamo city center is by the ATB bus service. The Line 1 bus operates frequently, departing every 20-30 minutes from the airport to Bergamo’s central train station. The journey takes approximately 15 minutes and is affordable, with tickets available for purchase at the airport or on the bus.

Taxi

Taxis and rideshare services like Uber are also available at the airport. The trip to the city center is short, usually taking around 10-15 minutes, and provides a more direct and comfortable ride.

Public Transport in Bergamo

Bus

Bergamo's public transport system, managed by ATB, includes an extensive network of buses that cover both the Città Alta (Upper City) and Città Bassa (Lower City). Tickets can be bought at ticket machines, kiosks, or via the ATB mobile app. Single tickets are valid for 75 minutes, and there are also day passes available for unlimited travel within a 24-hour period.

Funicular

The funicular system is one of Bergamo’s unique features, connecting the Città Bassa with the historic Città Alta. The funicular ride offers scenic views and is an essential part of the city’s charm. There are two funicular lines: one connecting the lower city to the upper city and another linking the upper city to San Vigilio hill.

Bike Sharing

For those looking for a more modern and eco-friendly mode of transport, Bergamo offers bike-sharing services like the Bike Sharing Bergamo. These bikes can be rented from various docking stations around the city. Additionally, electric scooters are available for rent through apps like Lime and Bird, providing a convenient way to zip through the city streets.

Walk!

Bergamo is a highly walkable city, especially in the historic Città Alta, where many streets are pedestrian-only. The compact nature of the city center makes it easy to explore on foot, with many attractions, shops, and restaurants within a short walking distance.

Let´s explore!

Città Alta

Città Alta, the historic heart of Bergamo, is a captivating medieval enclave perched atop a hill, surrounded by impressive Venetian walls that date back to the 16th century. This upper city, accessible by a scenic funicular ride, is a maze of narrow cobblestone streets, ancient buildings, and charming squares. Among its notable landmarks are the Piazza Vecchia, with its stunning Contarini Fountain and Palazzo della Ragione, and the magnificent Basilica di Santa Maria Maggiore, renowned for its exquisite interiors. Città Alta offers a unique blend of history, culture, and breathtaking views, making it an essential destination for anyone visiting Bergamo.

Architecture and urban spaces

Porta San Giacomo

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Porta San Giacomo is one of the most iconic and picturesque gates of the ancient Venetian walls encircling Bergamo's Città Alta. Constructed in 1592 from pink-tinged Zandobbio marble, this majestic gate served as a grand entrance to the city, symbolizing both defense and prestige. Its elegant, classical design features a large central arch flanked by imposing columns and topped with a triangular pediment. Overlooking the plains below, Porta San Giacomo offers breathtaking panoramic views and stands as a testament to Bergamo’s rich historical legacy and architectural splendor. This well-preserved gate remains a popular spot for both locals and tourists, providing a stunning backdrop for photographs and a tangible connection to the city's storied past.

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Baluardo San Giacomo

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This fortification was built in the 16th century as part of the extensive defensive system designed by the Republic of Venice to protect the city from invaders. Positioned near Porta San Giacomo, the bastion offers expansive views over the lower city and the surrounding plains, making it a popular spot for both history enthusiasts and visitors seeking picturesque vistas. The Baluardo San Giacomo not only highlights the military ingenuity of its time but also provides a peaceful setting for strolls along the walls, allowing visitors to immerse themselves in Bergamo's rich heritage while enjoying the scenic beauty of the region.

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Mura Veneziane-Patrimonio UNESCO

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The Mura Veneziane, or Venetian Walls, of Bergamo are a remarkable example of Renaissance military architecture and a testament to the city's historical significance. Constructed between 1561 and 1588 by the Republic of Venice, these impressive fortifications were designed to defend Bergamo from potential invasions, reflecting the strategic importance of the city within the Venetian territory. Stretching for over 6 kilometers and punctuated by gates, bastions, and cannon emplacements, the walls encompass the entire Città Alta, or Upper City. In recognition of their historical and architectural value, the Mura Veneziane were designated a UNESCO World Heritage site in 2017, as part of the "Venetian Works of Defence between the 16th and 17th Centuries: Stato da Terra – western Stato da Mar" listing. This accolade highlights the walls' significance not only to Bergamo but also to the broader context of Renaissance military fortifications across Europe. Today, the Venetian Walls remain a symbol of Bergamo's rich past, attracting visitors who come to admire their grandeur and enjoy panoramic views of the surrounding landscape.

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Terzi Palace

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Palazzo Terzi is a stunning example of Baroque architecture located in the heart of Bergamo's Città Alta. This elegant palace, built in the 17th century, is renowned for its richly decorated interiors and its significant historical and cultural heritage. The façade of Palazzo Terzi is an architectural masterpiece, adorned with intricate stucco work and grand balconies that overlook the beautiful Piazza Terzi. Inside, visitors can marvel at the lavishly decorated rooms, featuring ornate ceilings, frescoes, and period furnishings that reflect the opulence of its time. The palace has hosted numerous important figures over the centuries, including emperors and aristocrats, adding to its storied past. The splendid Terzi Salon, with its grand chandelier and elegant décor, is particularly noteworthy. Palazzo Terzi also boasts enchanting gardens that offer a peaceful retreat with spectacular views over the lower city and the surrounding landscape. This combination of architectural grandeur, historical significance, and natural beauty makes Palazzo Terzi a must-visit destination for those exploring Bergamo's rich cultural heritage.

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Palazzo Scotti

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Located along Via Porta Dipinta, this palace is a striking example of the opulent homes built by Bergamo's noble families. The exterior of Palazzo Scotti features a refined façade with classical elements, including symmetrical windows and decorative stonework, which reflect the architectural style of the period. The interiors of Palazzo Scotti are equally impressive, showcasing lavish decorations, intricate frescoes, and beautifully crafted period furnishings. The grand halls and private rooms highlight the artistic and cultural richness of the era, offering a glimpse into the lifestyle of the Bergamo elite. Among its most notable features are the ornate ceilings and the meticulously detailed stucco work that adorns many of the rooms.

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House of Arciprete

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Dating back to the 15th century, this well-preserved residence is a fine example of medieval architecture in the city. Its distinctive façade features a series of elegant Gothic windows adorned with delicate tracery, while the stone doorway bears intricate carvings that reflect the craftsmanship of the period. Originally belonging to the Fogaccia family, prominent merchants in medieval Bergamo, the building later served as the residence of the Archpriest of the nearby Basilica di Santa Maria Maggiore. Over the centuries, Casa Fogaccia has undergone various renovations and modifications, yet it retains much of its original character and charm.

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Ex Ateneo di Scienze Lettere Arti ,sede storica

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The Ex Ateneo di Scienze Lettere Arti, or the former Athenaeum of Sciences, Letters, and Arts, is a historic building located in the heart of Bergamo's Città Alta. Originally constructed in the 18th century, this stately edifice served as a prestigious institution dedicated to the advancement of knowledge and culture in the region. Its imposing façade, characterized by elegant architectural details and classical proportions, reflects the grandeur and intellectual aspirations of its time. Throughout its storied history, the Ex Ateneo di Scienze Lettere Arti played a central role in Bergamo's cultural and academic life, hosting lectures, exhibitions, and scholarly gatherings. The building's interior spaces, adorned with ornate decorations and period furnishings, provided a fitting backdrop for the pursuit of learning and artistic expression. While no longer functioning as an educational institution, the Ex Ateneo di Scienze Lettere Arti continues to be a cherished landmark in Bergamo, contributing to the city's cultural heritage and serving as a reminder of its intellectual legacy. Today, the building may be used for various cultural events, exhibitions, and public gatherings, preserving its historic significance and ensuring that it remains an integral part of Bergamo's cultural landscape.

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Fontanone Visconteo

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The Fontanone Visconteo, or Visconti Fountain, is a historic landmark located in the heart of Bergamo's Città Alta. This magnificent fountain, dating back to the 14th century, is one of the oldest surviving examples of civic architecture in the city. Commissioned by the powerful Visconti family, who ruled over Bergamo during the Middle Ages, the fountain served as a vital source of water for the local population and a symbol of the ruling dynasty's wealth and influence. Constructed from local stone, the Fontanone Visconteo features a series of arches and basins arranged in a cascading design, reminiscent of classical Roman fountains. Its central arch is adorned with the Visconti coat of arms, while intricate carvings and decorative motifs embellish the surrounding structures. The fountain's elegant proportions and graceful curves evoke a sense of timeless beauty and sophistication.

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Fontana di Antescolis

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The Fontana di Antescolis, or Antescolis Fountain, is an enchanting landmark nestled within the charming streets of Bergamo's Città Alta. Dating back to the 12th century, this historic fountain is one of the oldest surviving examples of medieval waterworks in the city. Located in the picturesque Piazza Vecchia, the fountain is named after the Antescolis family, prominent citizens of Bergamo who contributed to its construction and maintenance. The Fontana di Antescolis is characterized by its simple yet elegant design, featuring a central column from which water flows into a circular basin below. The fountain's stone structure bears the marks of centuries of history, adding to its allure and romantic charm. Surrounded by quaint cobblestone streets and historic buildings, the fountain serves as a focal point for locals and visitors alike, providing a tranquil oasis in the bustling heart of the Città Alta.

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Piazza Duomo

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Anchored by the magnificent Bergamo Cathedral, or Duomo di Bergamo, this bustling plaza is a focal point for both locals and visitors alike. The cathedral, dedicated to Saint Alexander of Bergamo, dominates the square with its impressive façade adorned with intricate sculptures and decorative details. Surrounding the cathedral are a collection of charming buildings, including the Palazzo della Ragione and the Biblioteca Civica "Angelo Mai," which add to the square's architectural richness. The Palazzo della Ragione, with its distinctive clock tower, once served as the civic hub of Bergamo and now houses cultural exhibitions and events. The Biblioteca Civica "Angelo Mai," named after the renowned Italian philologist, offers a treasure trove of literary works and historical artifacts. Piazza Duomo buzzes with activity throughout the day, as locals and tourists gather to explore its attractions, relax at outdoor cafes, or simply soak in the atmosphere of this historic square. Whether admired in the soft light of morning or illuminated by the glow of evening, Piazza Duomo captivates with its timeless beauty and serves as a vibrant hub of culture, history, and community in the heart of Bergamo's Città Alta.

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Meridiana del sole

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Positioned on the southern wall of the Palazzo della Ragione, overlooking Piazza Vecchia, this ancient sundial dates back to the 18th century and serves as a testament to the city's scientific and architectural heritage. Crafted from stone and adorned with intricate carvings, the Meridiana del Sole is both a functional timekeeping device and a work of art. Its design incorporates geometric patterns and symbols, reflecting the precision and ingenuity of its creators. Positioned to align with the sun's movement, the sundial accurately marks the passage of time, allowing observers to track the hours and seasons with remarkable accuracy.

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Campanone

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The Campanone, or the Big Bell, is a symbol of civic pride and a beloved landmark in Bergamo's Città Alta. Perched atop the Torre Civica, or Civic Tower, this imposing bell has been tolling for centuries, marking the passage of time and significant events in the city's history. Originally built in the 12th century, the Campanone underwent various renovations and expansions over the centuries, acquiring its current form in the 16th century. The bell itself, weighing over 7000 kilograms, is a testament to the craftsmanship and engineering prowess of its time.

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Piazza Vecchia

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The square dates back to the Middle Ages when Bergamo was a prosperous city-state known as Bergomum. Its strategic location on trade routes between northern Europe and Italy brought wealth and prominence to the city. Piazza Vecchia emerged as the political and commercial center of Bergamo during this period. One of the most iconic landmarks in the square is the Palazzo della Ragione, also known as the Palazzo Vecchio. Constructed in the 12th century, it served as the seat of political power and housed the municipal council. The imposing Torre del Comune (Tower of the Municipality) rises above the palace, symbolizing the authority of the city. Over the centuries, Piazza Vecchia witnessed various historical events, including battles, political upheavals, and periods of prosperity. It remained a hub of civic life, with markets, festivals, and public gatherings animating its streets. During the Renaissance, Bergamo experienced a cultural flowering, and Piazza Vecchia became a focal point for artistic and intellectual exchange. The elegant buildings around the square reflect this period of artistic patronage and architectural innovation. In the modern era, Bergamo's significance as a cultural and economic center continued to grow. Despite facing challenges such as wars and urban development, Piazza Vecchia retained its historic character and remains a symbol of Bergamo's enduring heritage.

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Palazzo della Ragione

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Ex-Carcere di Sant'Agata e resti romani

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Originally a monastic building, it has served various purposes throughout history, including a monastery, a prison, and a medical clinic. Today, it's a significant archaeological and cultural site where you can explore both Roman remains and the old prison structures.

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Porta del Pantano Inferiore (Casa del Capitano)

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The Porta del Pantano Inferiore was constructed in the 14th century, during the Visconti rule over Bergamo. It served as a crucial entry point into the city, particularly for those arriving from the south. The gate's strategic position made it a vital element of Bergamo's fortifications. Over time, the gate underwent various modifications and enhancements. In the 16th century, the adjacent building was transformed into the Casa del Capitano, serving as the residence for the Captain of the Guards, who was responsible for the gate's security. The building's façade features elegant frescoes and architectural details, reflecting the Renaissance style of the era. The Porta del Pantano Inferiore is characterized by its imposing stone structure and a distinctive pointed arch. The gate's design incorporates various defensive elements, including a drawbridge and a portcullis, which could be lowered to block the passage. The Casa del Capitano, attached to the gate, showcases Renaissance architectural elements. The façade is adorned with frescoes, including geometric patterns and depictions of coats of arms. The building's interior features well-preserved rooms and decorative details, offering insights into the lifestyle of the Captain of the Guards.

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Colonna di Sant'Alessandro

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The Colonna di Sant'Alessandro marks the spot where, according to tradition, Saint Alexander, the patron saint of Bergamo, was beheaded in the 3rd century AD. During the early Middle Ages, a church was built at this site to commemorate the saint. However, in 1561, the church was demolished to make way for the construction of the Venetian walls around the city. In 1618, the column was erected on the site of the demolished church to serve as a lasting memorial to Saint Alexander. The column was constructed using fragments of ancient Roman monuments, adding to its historical significance. The Colonna di Sant'Alessandro stands approximately 10 meters tall and is made of marble and stone. The column's base is adorned with bas-reliefs depicting scenes from the life of Saint Alexander. At the top of the column, a statue of Saint Alexander stands proudly, holding a palm branch in one hand and a sword in the other. The Colonna di Sant'Alessandro holds great religious importance for the people of Bergamo. It is a place of pilgrimage and devotion, where people come to pay their respects to Saint Alexander and seek his intercession. The column is also a popular destination for religious processions and celebrations.

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Lavatoio di Sant'Erasmo

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The Lavatoio di Sant'Erasmo was built in 1891 following a typhus epidemic that struck the city. It features 12 wash basins made of granite chippings and a concrete floor. It has been recently restored and is now in excellent condition.

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Saint Lorenzo Gate

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The Porta S. Lorenzo was constructed in the 12th century, during the expansion of Bergamo's city walls. It was named after the nearby church of San Lorenzo fuori le Mura (Saint Lawrence outside the Walls), which lies about a kilometer further out on the Via Tiburtina road. The gate played a crucial role in the city's defense, providing a fortified entry point along the northeastern section of the walls. The Porta S. Lorenzo is characterized by its imposing stone structure and a distinctive square-shaped design, which is unusual for Roman gates that typically feature round arches. This unique design is attributed to later reconstructions of the gate. The gate's façade features two flanking towers, which were added in the 15th century to enhance its defensive capabilities. The Porta S. Lorenzo stands as a testament to Bergamo's rich history and architectural heritage. It has witnessed centuries of change and has played a vital role in the city's defense and development. The gate's unique square design and well-preserved structure make it a notable landmark within Bergamo's fortifications.

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San Lorenzo Bastion

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Situated on the northeastern side of the city walls, the Baluardo di San Lorenzo offers stunning panoramic views of the surrounding landscape and holds significant historical and architectural value. The Baluardo di San Lorenzo was constructed in the 16th century during the Venetian rule over Bergamo. The Venetian Republic, known for its expertise in fortification engineering, enhanced Bergamo's existing medieval walls to create a formidable defensive system. The Baluardo di San Lorenzo played a crucial role in protecting the city from attacks, particularly from the northeastern direction. The Baluardo di San Lorenzo is characterized by its massive pentagonal shape, designed to deflect enemy fire. The bulwark features multiple tiers of gun positions, allowing for effective defense against attackers from various angles. The bulwark's external walls are reinforced with buttresses, further enhancing its structural integrity. From the top of the Baluardo di San Lorenzo, visitors can enjoy breathtaking panoramic views of the surrounding landscape. The vista encompasses the lower town of Bergamo, the rolling hills of the Bergamasco countryside, and the distant peaks of the Alps.

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Fara Bastion

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Situated on the eastern side of the city walls, the Baluardo della Fara offers captivating views of the surrounding landscape and holds significant historical and architectural value. The Baluardo della Fara was constructed in the 16th century during the Venetian rule over Bergamo, marking the final expansion of the city's fortifications. Its strategic position on the eastern side provided crucial protection against potential attacks from the direction of the Val Seriana valley. The bulwark's construction involved significant engineering challenges due to the unstable terrain, making it a testament to Venetian expertise in fortification design. The Baluardo della Fara is characterized by its distinctive pentagonal shape, designed to maximize defensive capabilities. The bulwark features multiple tiers of gun positions, allowing for effective defense against attackers from various angles. Its external walls are reinforced with buttresses, further enhancing its structural integrity. The Baluardo della Fara incorporates a unique design feature known as a "tenaglia," a V-shaped formation that extends outward from the main bulwark. This tenaglia, also known as the "tenaglia di Sant'Agostino," provided additional protection for the Porta S. Agostino (Gate of Saint Augustine), a critical entry point into the city.

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Casa Torre Calzani

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Dating back to the 12th century, the tower stands as a testament to the city's rich history and architectural heritage. During the Middle Ages, tower houses were commonly constructed by wealthy families for both residential and defensive purposes. The Casa Torre Calzani exemplifies this type of medieval architecture, showcasing the defensive features and living arrangements of the era. The Casa Torre Calzani stands approximately four stories tall and features a rectangular floor plan. Its most distinctive characteristic is its imposing tower structure, which provided both defense and living space for its occupants. The tower's walls are constructed of thick stone, and its upper levels feature narrow windows that served as both lookout points and sources of light. While the tower's primary function was defense, it also served as a residence for the Calzani family. The lower levels of the tower likely housed storage areas and workshops, while the upper levels provided living quarters. The tower's interior would have been relatively spartan, with simple furnishings and limited amenities.

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Torre del Gombito

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The Torre del Gombito dates back to the 12th century, a period marked by the struggles between different factions within the city. Its construction was driven by the need for a defensive structure that could control access to Piazza Vecchia, the central square of Bergamo Alta. The tower's strategic position atop a hill overlooking the square made it a crucial element in the city's fortifications. The Torre del Gombito stands approximately 52 meters tall, making it one of the tallest structures in Bergamo Alta. Its imposing structure is characterized by its square base, which transitions into an octagonal shape at the upper levels. The tower's walls are constructed of thick stone blocks, and its exterior features numerous windows and openings that provided both defensive vantage points and sources of light. In 2010, after undergoing extensive restoration, the Torre del Gombito was opened to the public. Visitors can ascend the 263 steps to reach the tower's rooftop, where they are rewarded with breathtaking panoramic views of Bergamo Alta, the lower town, and the surrounding countryside.

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Antico Lavatoio

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A long tank of white marble divided into different parts, covered by an elegant roof made of cast iron and metal slabs. Built in 1881, the Washhouse (“Lavatoio” in Italian) via San Lupo, in the Upper Town, represents a beautiful model from the design point of view. It’s provided with a water adduction system, an overflow drain system, a process of dirty water discharge after washing and a gutter of the water sprays produced during the washing: this makes it extremely effective and functional. On the other side, the hygienic conditions of Bergamo during that time were really poor: in 1884 a cholera epidemic had pummelled the city and physicians blamed the water’s terrible quality of Città Alta, enhancing the spreading of typhus fever, a highly contagious and frequently deadly disease that recurred every summer. To combat this problem, Bergamo Administration decided to build several public washhouses: besides the one in via Lupo, there was one in via Boccola and another in Borgo Canale. The via Lupo Washhouse worked till the 50s and it’s currently preserved with the maximum care, as a precious memory of the past.

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Fontana Del Gombito

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The features of the fountains built in the 1500s are very different from those dating back to the previous centuries, both from an architectural point of view and for their position within the urban space. Medieval fountains were built along the road and placed under house archways, while the sixteenth-century ones were added to an already consolidated urban environment and so had to be adapted to the surroundings. Thus Saint Pancras Fountain, designed by Pietro and Leonardo Isabello in 1549, was positioned at the centre of a square which already had its own geometric identity. This is one of the reasons why the fountain base evokes the square regular layout.

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Piazza Mercato delle Scarpe

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This square, set at an important intersection of several streets leading to the town, was once a thriving area of trade. According to tradition, the building with its 13th century façade (now the funicular station, opened in 1887) was the seat of the Shoemakers’ Guild, from which the square takes its name, Shoe Market Square. In the medieval period, craftsmen and shopkeepers were organized into guilds. Their work was regulated by statutes approved by the Town Council. Several of these old statutory laws are conserved in the Civica Biblioteca (Public Library).

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Biblioteca Comunale Decentrata Gavazzeni

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It is housed in a historic building that was once a church and a hospital. The library has a collection of over 20,000 books, as well as a multimedia library with CDs, DVDs, and audiobooks. It also offers a variety of programs and services, including reading groups, author talks, and computer classes.

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Fontana di Porta Dipinta

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Here was located the eastern gate of the medieval walls of the city. This gate, demolished in the early XIX century, at the end of the 1400s was called Porta Pica, a name retained by the modern street. Said name was given to the construction because between the XV and XVI centuries it was decorated with frescoes by artists from Bergamo, such as Simone da Averara and Bartolomeo Cabrini. The fountain was built symmetrically to the large vault covering the gate.

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University of Bergamo - Humanities Library

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The library houses nearly 120,000 volumes and subscribes to over 600 periodicals. The library's collection adds 3,500-4,000 volumes annually. The library's collection reflects the vast range of teaching and research fields of the Humanities faculties. The collections largest sector is Literature and Linguistics (English, French, German, Russian and Spanish literature). The library also has significant collections in History, Philosophy, Art, Music, Theatre, Cinema, Geography, and Anthropology.

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Churches 

Basilica di Santa Maria Maggiore

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Construction of the Basilica began in the second half of the 12th century, following a vow made by the people of Bergamo to the Virgin Mary. A plague had ravaged northern Italy, and the Bergamaschi sought her protection. The church was completed around the 12th-13th centuries, replacing an earlier oratory dedicated to Saint Vincent. The Basilica's exterior retains its original Romanesque-Lombard style, characterized by its simple yet elegant facade. Look for the decorative arcades and rose window above the main portal. However, the interior showcases a dramatic transformation. Renovated in the 17th and 18th centuries, it boasts a lavish Baroque style. Stucco decorations, marble sculptures, and vibrant paintings adorn the walls and ceilings, creating a sense of grandeur and awe. The Basilica di Santa Maria Maggiore holds deep religious significance for the people of Bergamo. It enshrines a venerated wooden crucifix dating back to the 15th century, which is a major pilgrimage destination. The tombs of renowned composer Gaetano Donizetti and his teacher, Simone Mayr, are also located within the Basilica. Beyond its religious significance, the Basilica houses a collection of noteworthy artworks. Look for paintings by prominent artists like Jacopo Palma il Giovane, Lorenzo Lotto, and Tiepolo. The Cappella Colleoni, a side chapel commissioned by the Condottiero (military leader) Bartolomeo Colleoni, is a masterpiece of Renaissance architecture and sculpture.

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Bergamo Cathedral

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Its origins can be traced back to the 5th century when a Romanesque basilica stood on the site. Over time, the church underwent numerous transformations, incorporating elements of Gothic, Renaissance, and Baroque styles. In the 18th century, the Cathedral underwent a significant transformation under the direction of architect Leopoldo Pollack. Inspired by the Neoclassical movement, Pollack transformed the facade into a masterpiece of elegance and symmetry. The white marble facade, adorned with Corinthian columns and a triangular pediment, exudes a sense of grandeur and harmony. Stepping inside the Cathedral is like entering a realm of artistic splendor. The interior, a harmonious blend of Neoclassical and Baroque elements, is a testament to the craftsmanship and artistry of the era. The soaring dome, adorned with frescoes, creates an air of grandeur and awe. The Cathedral houses a wealth of artworks, including paintings by renowned artists such as Giovan Battista Moroni, Lorenzo Lotto, and Tiepolo. The Cappella del Santo Sepolcro, a Renaissance masterpiece, is a must-see for its intricate carvings and sculptures.The Cattedrale di Sant'Alessandro Martire holds immense religious significance for the people of Bergamo. It is dedicated to Sant'Alessandro Martire, the city's patron saint, whose relics are enshrined within the Cathedral. The church serves as a spiritual center, drawing pilgrims and devotees from near and far.

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Tempietto di Santa Croce

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This small, octagonal chapel, dating back to the 11th century, is a captivating example of Romanesque style, offering a glimpse into the city's medieval past. The Tempietto's origins can be traced back to the first half of the 11th century, when it was constructed as part of the Bishop's Palace complex. Initially referred to as "Capella Episcopi," or "Bishop's Chapel," it served as a place of worship and a venue for the Bishop to hold audiences. Over the centuries, the Tempietto underwent various modifications, reflecting the changing architectural styles of the time. However, its core Romanesque character remained intact, evident in its quadrilobate (four-lobed) lower level and octagonal upper level. While the Tempietto's exterior might appear unassuming, its interior holds a hidden treasure trove of artistic gems. The walls are adorned with frescoes dating back to the 12th and 13th centuries, depicting biblical scenes and figures. These frescoes offer a glimpse into the artistic sensibilities of the medieval era.

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Battistero

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Unlike most Baptistery buildings, Bergamo's Battistero has a rather unique story. Originally constructed in 1340 by the architect Giovanni da Campione, it wasn't always located in its current spot. Initially, it resided within the Santa Maria Maggiore Church in Bergamo Alta, the upper town. However, in 1661, the Battistero embarked on a series of relocations. It was disassembled and then reassembled twice in different locations, each time undergoing alterations. For a period, it even resided in the cloister of the Canonica. Finally, in 1898, the Battistero found its current home in Piazza del Duomo, the square facing the Bergamo Cathedral (Cattedrale di Sant'Alessandro Martire). Despite the relocations and modifications, the Battistero retains its core octagonal shape, a characteristic design for baptisteries. Step inside the Battistero, and you'll find yourself in a single, octagonal hall. The centerpiece is the Gothic font, the basin where baptisms traditionally take place. Look for the decorative features adorning the font. In the background, you'll also see an altar topped with a statue of Saint John the Baptist, the namesake of many Baptistery structures.

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Chiesa di San Pancrazio

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The Chiesa di San Pancrazio's construction began in the 12th century, following a vow made by the people of Bergamo to Saint Pancras, a young Roman martyr who was executed during the reign of Emperor Diocletian. The church was completed around the 12th-13th centuries, replacing an earlier oratory dedicated to Saint Vincent. The Chiesa di San Pancrazio's exterior retains its original Romanesque-Lombard style, characterized by its simple yet elegant facade. Look for the decorative arcades and rose window above the main portal. However, the interior showcases a dramatic transformation. Renovated in the 17th and 18th centuries, it boasts a lavish Baroque style. Stucco decorations, marble sculptures, and vibrant paintings adorn the walls and ceilings, creating a sense of grandeur and awe. The Chiesa di San Pancrazio houses a collection of noteworthy artworks, reflecting the artistic sensibilities of the era. Among the highlights are: The Main Altar: A masterpiece of Baroque sculpture, featuring a statue of Saint Pancras flanked by angels and saints. The Cappella del Nostro Signore Gesù Risorto: Dedicated to the Resurrection of Christ, this chapel is adorned with frescoes depicting biblical scenes. The Cappella di Sant'Anna: This chapel features a statue of Saint Anne, the mother of the Virgin Mary, and frescoes depicting her life.

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Chiesa Di San Michele Al Pozzo Bianco

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The Chiesa di San Michele al Pozzo Bianco was founded in the 8th century, possibly on the site of a pagan temple dedicated to the god Vulcan. Initially, it was a small, simple structure. However, in the 12th and 13th centuries, the church underwent significant renovations, resulting in the Romanesque-Lombard style that we see today. The Chiesa di San Michele al Pozzo Bianco's exterior showcases a harmonious blend of Romanesque and Lombard architectural elements. The facade, characterized by its smooth stone walls and arched windows, exudes a sense of simplicity and elegance. The bell tower, rising above the church, adds a touch of grandeur to the overall structure.

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Chiesa di San Lorenzo alla Boccola

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Its origins date back to the 16th century, and over the years, it has served as a place of worship, a repository of artistic treasures, and a testament to Bergamo's rich heritage. The Chiesa di San Lorenzo alla Boccola's construction began in the late 16th century, replacing an earlier church that was destroyed to make way for the city's fortifications. The new church was designed by the architect Giovanni Battista Sassi, who infused it with a blend of Renaissance and Baroque elements. The Chiesa di San Lorenzo alla Boccola's exterior exudes an air of elegance and simplicity. The facade, characterized by its smooth stone walls, arched windows, and a triangular pediment, reflects the Renaissance influence. The bell tower, rising above the church, adds a touch of grandeur to the overall structure.

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Ex-Monastero del Carmine

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Ex-Monastero del Carmine is a former monastery located in the heart of the historic center of Bergamo, Italy. It is a beautiful architectural complex with a rich history, dating back to the 14th century. The monastery is now home to a variety of cultural institutions, including a theater, a library, and an art gallery. It is also a popular venue for events and conferences.

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Chiesa di Sant'Agata nel Carmine

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The church was originally built in the 10th century, but was rebuilt in 1357 by the Humiliati order and later passed to the Carmelites. In 1450, it was enlarged and consecrated for the first time in 1453 by Bishop Giovanni Barozzi. The interior of the church has a single nave with five chapels on each side. Among these, the most important and impressive is the Chapel dedicated to the Madonna del Carmine, which houses a precious Baroque altar designed by the famous architect Filippo Juvarra.

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Episcopal Seminary Giovanni XXIII

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Monastero delle Benedettine di Santa Grata

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It is one of the oldest monasteries in the city, dating back to the 10th century. The monastery is dedicated to Saint Grata, a local martyr. The monastery is home to a community of Benedictine nuns, who follow a cloistered lifestyle. The nuns are dedicated to prayer, work, and study. The monastery also houses a number of religious relics, including the relics of Saint Grata. The monastery is open to the public for visits. Visitors can tour the church, cloister, and museum. The museum houses a collection of religious art and artifacts.

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Chiesa di San Salvatore

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Dating back to the 10th century, it is considered one of the oldest churches in Bergamo. Early records mention a "basilica Domini Salvatoris" in 911, though the current structure likely took form in the 12th century. The church reflects a blend of Romanesque and Renaissance architectural styles.

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Chiesa di Santa Grata in via Arena

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Construction of the church began in the 12th century and was most likely completed in the 15th century. It is part of the Benedictine monastery of the same name, the oldest monastery in Bergamo. The architectural style reflects a blend of Romanesque and Renaissance elements. The interior boasts a single nave with a barrel vault ceiling and side chapels adorned with frescoes and decorative features. This church holds immense importance for Bergamo as the final resting place of Saint Grata, a revered local martyr from the 3rd or 4th century. Her remains were initially interred at the Chiesa di Santa Grata inter Vites but were later transferred to this church in the year 1000. The ornate sarcophagus containing Saint Grata's relics is a focal point within the church.

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Saint Grata Inter Vites

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The Chiesa di Santa Grata Inter Vites, also known as Santa Grata fuori le Mura, is a charming church nestled in Bergamo's vibrant Borgo Canale district. It holds a unique distinction as the original burial place of Saint Grata, a revered local martyr from the 3rd or 4th century. The church's origins trace back to the 8th century, with the first documented mention appearing in the will of a local landowner. Initially serving as the primary burial site for Saint Grata, the church gained immense significance among Bergamo's faithful. Over the centuries, the church underwent renovations and expansions, reflecting the evolving architectural styles. The church's exterior showcases Romanesque elements, evident in its sturdy stonework and arched windows. Stepping inside, visitors are greeted by a striking Baroque-style interior, adorned with intricate frescoes and gilded embellishments. A particularly captivating feature is the "Danza macabra" (Dance of Death) fresco, depicting skeletons engaged in various activities, serving as a reminder of life's impermanence.

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Museums and cultural venues

MusLi | Il Museo Nel Liceo

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Stepping into the MusLi is like stepping back in time, as visitors are transported to the 19th century when the Liceo Classico Paolo Sarpi first opened its doors. The museum's main hall, adorned with original architectural features and exuding an atmosphere of scholarly grandeur, sets the stage for an exploration of the school's past. Delving deeper into the MusLi, visitors encounter a fascinating array of scientific instruments that once served as the tools of education for generations of students. These relics, ranging from antique microscopes and telescopes to intricate anatomical models, offer a glimpse into the evolution of scientific inquiry and the school's dedication to fostering a spirit of scientific exploration.

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Museo Del Tesoro Della Cattedrale

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Journey through the depths of history and immerse yourself in the artistic splendor of Bergamo's religious heritage at the Museo e Tesoro della Cattedrale di Bergamo, also known as the Museum and Treasury of the Cathedral of Bergamo. This captivating museum, nestled beneath the majestic Cathedral of Sant'Alessandro, unveils a hidden world of archaeological treasures, sacred artifacts, and artistic masterpieces, offering a glimpse into the city's rich religious and cultural tapestry. Descend into the museum's subterranean galleries and embark on a captivating journey through time. Unearth remnants of Bergamo's ancient past, from the vestiges of a Roman settlement to the foundations of an early Christian basilica. These archaeological treasures provide a tangible link to the city's earliest inhabitants and their enduring legacy. Step into the resplendent Treasury and marvel at a collection of sacred artifacts that embody the artistry and devotion of Bergamo's past. Admire exquisite reliquaries adorned with gold, precious stones, and intricate craftsmanship, each piece a testament to the deep reverence for religious relics. Gaze upon ornate liturgical vestments, missals illuminated with delicate calligraphy, and gleaming chalices, each object imbued with profound spiritual significance.

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Palazzo del Podestà - resti del Foro Romano e Museo del Cinquecento

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Palazzo del Podestà: A Journey Through Time and Art The Palazzo del Podestà, also known as the Palazzo della Ragione, stands as a majestic emblem of Bergamo's rich history, seamlessly blending architectural grandeur with artistic treasures and archaeological wonders. Nestled in the heart of the city's Città Alta, or Upper Town, this captivating landmark invites visitors to embark on a captivating journey through time, exploring the remnants of an ancient Roman forum, the opulence of medieval power, and the artistic brilliance of the Renaissance era. Descend into the subterranean depths of the Palazzo del Podestà and uncover the fascinating remnants of a Roman forum, once the bustling heart of Bergamo's ancient settlement. These archaeological treasures, unearthed during excavations in the 20th century, provide a tangible link to the city's Roman past, offering insights into the daily lives, civic structures, and architectural styles of that era. Ascend to the upper levels of the Palazzo del Podestà and immerse yourself in the grandeur of medieval Bergamo. This imposing structure, originally built in the 12th century, served as the residence of the Podestà, the city's appointed ruler during the era of communal rule. Admire the architectural details that reflect the power and prestige of the Podestà, including the imposing façade, the grand staircase, and the richly decorated halls. Step into the Salone delle Capriate, the Palazzo del Podestà's crowning jewel, and be captivated by the artistic splendor of the Renaissance era. This magnificent hall, adorned with intricate wooden trusses and vibrant frescoes, served as the setting for lavish banquets and important civic gatherings. The frescoes, painted by renowned Renaissance artists, depict scenes from Bergamo's history and mythology, showcasing the city's cultural and artistic heritage. Venture into the Museo del Cinquecento, housed within the Palazzo del Podestà, and delve into the captivating world of 16th-century Bergamo. This fascinating museum showcases a rich collection of artworks, artifacts, and multimedia exhibits that bring to life the city's transformation during the Renaissance era. Explore the political, social, and economic changes that shaped Bergamo's identity, and admire the artistic masterpieces that reflect the city's cultural flourishing during this period.

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Gypsotheca Museo Cividini nella Antica Zecca di Bergamo

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Housed within the evocative walls of the 13th-century Antica Zecca, or Ancient Mint, this captivating museum unveils a treasure trove of plaster casts, sculptures, and artistic artifacts, offering a unique glimpse into the world of sculpture from the Renaissance to the present day. Embark on a captivating journey through the centuries as you wander through the Gypsotheca Museo Cividini's galleries. Admire an extensive collection of plaster casts, meticulously crafted reproductions of renowned sculptures from across Italy and Europe. These replicas, spanning from the Renaissance to the Neoclassical periods, provide a tangible connection to the artistic mastery and cultural heritage of bygone eras. Venture beyond the realm of plaster casts and immerse yourself in the museum's collection of original sculptures. Discover works by renowned Italian artists from the 19th and 20th centuries, including Giacomo Manzù, Pomodoro Arnaldo, and Gianfranco Parolini. These sculptures, each embodying a unique artistic vision and style, showcase the diversity and vibrancy of modern and contemporary sculpture.

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Rocca di Bergamo

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The Rocca di Bergamo is a medieval fortress located in the city of Bergamo, Italy. It is situated on a hill overlooking the city center and offers panoramic views of the surrounding area. The Rocca was originally built in the 12th century by the Visconti family and has been expanded and modified over the centuries. It was used as a military stronghold for many years and has also been used as a prison, a barracks, and a museum.

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Palazzo e Giardini Moroni

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This captivating 17th-century residence, adorned with Baroque elegance and surrounded by verdant gardens, invites visitors to step back in time and experience the grandeur of Bergamo's noble past. As you cross the threshold of Palazzo Moroni, you are transported into a world of Baroque artistry and refined elegance. The palace's interiors, meticulously preserved over centuries, showcase the exquisite craftsmanship and artistic sensibilities of the Moroni family, who once resided within its walls. Step into the Grand Salone, the heart of the palazzo, and be captivated by its soaring ceilings, adorned with intricate frescoes depicting mythological scenes and allegorical figures. The walls, adorned with fine tapestries and paintings by renowned artists, whisper tales of the Moroni family's social standing and cultural patronage. Venture into the palazzo's private apartments and discover a haven of refined taste and opulent décor. Each room, furnished with antique furniture, crystal chandeliers, and precious artworks, reflects the refined lifestyle and aesthetic sensibilities of Bergamo's aristocracy. Step outside the palazzo and immerse yourself in the tranquility of the Giardini Moroni. These expansive gardens, once meticulously manicured and adorned with fountains, sculptures, and exotic plants, offer a serene escape from the bustling city streets. Stroll along the winding paths, admire the lush greenery, and imagine the grand soirées and leisurely strolls that once took place within these verdant grounds.

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Donizetti Museum

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Housed within the composer's former residence, this captivating museum unveils a treasure trove of personal artifacts, musical manuscripts, and operatic memorabilia, offering an intimate glimpse into the creative genius and enduring legacy of Donizetti. Trace his early musical training in Bergamo, his rise to prominence as an opera composer, and his extensive travels throughout Europe. Explore the rooms where Donizetti once lived and worked, gaining insights into his daily life, creative process, and the social and cultural milieu that shaped his artistic achievements.

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Civic Archaeological Museum

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Gardens and green spaces

Piattaforma di Sant'Andrea

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Piattaforma di Sant'Andrea is a panoramic terrace located in the Citta Alta of Bergamo, Italy. It offers stunning views of the city and the surrounding countryside, making it a popular tourist destination. The platform is also home to a number of historical landmarks, including the Forte di Sant'Andrea, a 16th-century fortress that was once part of the Venetian defenses.

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Parco della Fara

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Parco della Fara is a park located in Bergamo, Italy. It offers stunning views of the city and the surrounding countryside, making it a popular tourist destination. The park is also home to a number of historical landmarks, including the Rocca della Fara, a 12th-century fortress.

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Parco della Rocca e Fauna Orobica

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Parco della Rocca e Fauna Orobica is a park located in Bergamo, Italy. It is situated in the Citta Alta (Upper Town) and offers stunning views of the city and the surrounding countryside. The park is home to a variety of wildlife, including deer, wild boar, and foxes. There are also a number of hiking trails that wind through the park, offering visitors the opportunity to explore the natural beauty of the area.

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Bergamo Botanical Garden "Lorenzo Rota"

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The Bergamo Botanical Garden "Lorenzo Rota" is a 2,400 square meter botanical garden located in Bergamo, Italy. It is home to over 1,200 different types of plants, and is open to the public from March to October. The garden is located in the Citta Alta (Upper Town) of Bergamo, and offers stunning views of the city and the surrounding countryside. The Bergamo Botanical Garden was founded in 1972 and was named after Lorenzo Rota, a physician and botanist who was the first to study the flora of the Bergamo province. The garden was initially designed as an alpine garden, but it was later expanded to include a wider variety of plants. In 1993, the garden became an integral part of the Museum of Natural Sciences of Bergamo.

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Coffee and sweets

Bugan Coffee Lab - Via Colleoni - Città Alta

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Caffè del Tasso 1476

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Latteria Caffetteria Di Zia Manu

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California Bakery

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Cavour 1880

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Carmen Gelato - Colleoni

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Gelateria Domus

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La Marianna

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Restaurants

Circolino Città Alta

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La Piadella

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Polentone

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Il Fornaio

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Goss Quality Burger (Bergamo Alta)

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Mimì Bistrot

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Città Bassa

In contrast to the medieval charm of its hilltop counterpart, Citta Bassa (Lower Town) Bergamo exudes a vibrant and modern energy. This dynamic district seamlessly blends historical landmarks with contemporary attractions, offering a captivating blend of old and new.

Città Bassa's main thoroughfare, the Viale Vittorio Veneto, is a bustling boulevard lined with elegant shops, cafes, and restaurants. Here, you can stroll beneath the shade of trees, savor a cappuccino at a sidewalk cafe, or indulge in a delectable Italian meal. The district's vibrant atmosphere is further enhanced by its numerous piazzas, each with its own unique character.

Architecture and urban spaces

Porta Nuova

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Designed by the renowned architect Giuseppe Cusi, Porta Nuova embodies the elegance and symmetry of Neoclassical architecture. Its imposing façade features a central archway flanked by two smaller arches, all adorned with intricate carvings and decorative elements. The gate's imposing presence is further accentuated by its rusticated stonework and imposing cornice. The construction of Porta Nuova coincided with Bergamo's industrialization and economic growth during the 19th century. The gate's Neoclassical style reflected the city's embrace of modernity and its aspirations for progress. As the main gateway to the expanding Citta Bassa, Porta Nuova became a symbol of the city's transformation into a modern metropolis.

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Chiostro di Santa Marta

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Stepping through the entrance of the Chiostro di Santa Marta, visitors are transported back to a bygone era, where the cloister's serene arches and tranquil ambiance once resonated with the prayers and contemplations of Dominican friars. The cloister's origins can be traced back to the 14th century, when it formed the heart of a Dominican monastery. Over the centuries, the cloister witnessed the ebb and flow of time, serving as a place of study, prayer, and reflection for generations of monks. The Chiostro di Santa Marta showcases a harmonious blend of Gothic and Renaissance architectural styles, reflecting the evolution of the monastery over time. The cloister's arcades, supported by slender columns, gracefully surround a central courtyard, creating a sense of enclosure and tranquility. The arches, adorned with intricate details and delicate carvings, hint at the craftsmanship and artistry that went into the cloister's construction. The Chiostro di Santa Marta is not merely a masterpiece of architecture but also a repository of artistic treasures. The cloister's walls are adorned with frescoes depicting biblical scenes and the lives of saints, adding to the cloister's spiritual atmosphere. These frescoes, with their vibrant colors and expressive figures, serve as windows into the religious beliefs and artistic sensibilities of the era.

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Monument To Partisan

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The Monumento al Partigiano was created by renowned Italian sculptor Giacomo Manzù and inaugurated in 1977. The bronze sculpture depicts a young partisan, suspended upside down, his body contorted and lifeless. The figure's anguish and vulnerability serve as a stark reminder of the brutality inflicted upon the partisans by the occupying forces. Juxtaposed against the tormented figure of the partisan is a woman, presumably his mother or wife, reaching out in a gesture of grief and despair. Her outstretched arm, seemingly grasping at the void, symbolizes the profound sorrow and loss experienced by those who bore witness to the atrocities of war. The monument is inscribed with a poignant dedication penned by Manzù himself: "Partigiano ti ho visto appeso immobile / eppure il tuo cuore non era di pietra / era vivo come il mio." (Partisan, I saw you hanging motionless / yet your heart was not of stone / it was alive like mine.) These words serve as a testament to the enduring spirit and unwavering resilience of the partisans, even in the face of death.

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Obelisco a Napoleone Bonaparte

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Here's the interesting bit: while the obelisk was originally erected in 1778, it wasn't dedicated to Napoleon! It was built to honor the city's mayor, Giovanni Francesco Correr, for his service during a time of hardship. Following the French invasion of 1797, the obelisk was then dedicated to Napoleon. However, this inscription wasn't meant to last. With the Austro-Russian occupation of the city in 1801, the dedication was removed. The French returned and put Napoleon's name back on the obelisk, but it was eventually removed again around 1815. Today, the obelisk stands 17 meters tall, made of white marble, and features a bronze eagle statue at its peak, symbolizing the French Empire. Despite the twists and turns of its dedication, the obelisk remains a popular landmark in Bergamo, frequently visited by tourists and locals alike. It's a great spot to snap a photo or simply enjoy the view of the city.

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Viale Roma

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Via Roma is a major street in Bergamo, Italy. It runs through the heart of the city's Citta Bassa (Lower Town) and is lined with shops, cafes, and restaurants. The street is also home to a number of historical landmarks, including the Palazzo della Ragione and the Torre dei Cagnoli. Via Roma is a great place to go shopping, with a wide variety of stores to choose from. You can find everything from high-end designer boutiques to local souvenir shops.

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Torre dei caduti

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Soaring 45 meters above the heart of Bergamo's Citta Bassa (Lower Town), the Torre dei Caduti (Tower of the Fallen) stands as a poignant symbol of remembrance and honor. Dedicated to the memory of Bergamaschi soldiers who perished during World War I, this imposing monument has become an integral part of the city's landscape and a cherished emblem of its rich history. Constructed between 1921 and 1924, the Torre dei Caduti was designed by renowned Italian architect Marcello Piacentini. Inspired by the architectural style of the nearby medieval walls, Piacentini crafted the tower with a rustic elegance that seamlessly blends with the surrounding cityscape. The tower's exterior is adorned with decorative elements in pietra arenaria di Bagnatica, a local sandstone that lends a warm, earthy hue to the structure. The Torre dei Caduti's interior is a sanctuary dedicated to the memory of Bergamo's fallen soldiers. The sacrario, or shrine, located on the ground floor, features a solemn atmosphere, with its walls lined with marble plaques bearing the names of over 700 fallen heroes. The names are arranged in chronological order, reflecting the progression of the war and the immense sacrifice it demanded from the city. Beyond its role as a memorial, the Torre dei Caduti also serves as a powerful symbol of unity and patriotism. Its presence in the heart of Bergamo's modern district serves as a constant reminder of the sacrifices made by past generations and the importance of preserving peace. The tower has become a popular gathering place for commemorative events and a cherished landmark for locals and visitors alike

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Fontana del Tritone

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The Fontana del Tritone (Triton Fountain) graces the heart of Piazza Dante Alighieri in Bergamo's Citta Bassa (Lower Town). This captivating water feature boasts not only aesthetic beauty but also a rich history intertwined with the city's development. The fountain's origins trace back to the 16th century, a period marked by significant urban expansion in Bergamo. Previously, the area where the Piazza Dante Alighieri now stands served as a moat encircling the city walls. As Bergamo's boundaries extended beyond the moat, the need arose for a new water source in the growing district. Construction of the Fontana del Tritone commenced in 1585 under the guidance of architect Giovan Battista Lantana. Notably, the fountain was not just decorative but also served a practical purpose. Water flowed from the mouths of dolphins sculpted into the fountain's base, providing a vital source of fresh water for the inhabitants of the Lower Town. The central figure of the fountain, however, is not a dolphin but the mythical sea god Triton. Triton, son of Poseidon and sea nymph Amphitrite, is depicted as a muscular merman wielding a conch shell that serves as the primary source of water for the fountain. The choice of this specific figure might have been symbolic, representing Bergamo's growing importance as a trade hub and its connection to waterways. Throughout its existence, the Fontana del Tritone has undergone several restorations. The most significant one occurred in the 19th century when the fountain was relocated to its current position in the center of Piazza Dante Alighieri. Today, the fountain continues to be a beloved landmark.

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Piazza della Libertà

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Piazza della Libertà is a square located in the heart of Bergamo, Italy. It is a popular gathering place for locals and tourists alike, and is home to a number of cafes, restaurants, and shops. The square is also home to a number of historical landmarks, including the Palazzo della Ragione and the Torre dei Cagnoli.

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Giuseppe Garibaldi Monument

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Giuseppe Garibaldi, revered as the "General of the Two Worlds," played a pivotal role in Italy's unification process during the 19th century. His military campaigns and leadership were instrumental in achieving the unification of the Italian Peninsula under a single kingdom. The Monumento a Giuseppe Garibaldi serves as a tangible reminder of Garibaldi's contributions and the profound impact he had on the nation's history. The monument, designed by sculptors Cesare and Alberto Maironi, was inaugurated in 1885, drawing inspiration from Garibaldi's heroic deeds and embodying the spirit of the Risorgimento, the Italian unification movement. The bronze statue depicts Garibaldi atop a majestic pedestal, his gaze fixed towards the horizon, symbolizing his unwavering determination and visionary leadership.

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Piazza della Repubblica

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Piazza della Repubblica is a square located in the heart of Bergamo, Italy. It is a popular gathering place for locals and tourists alike, and is home to a number of cafes, restaurants, and shops. The square is also home to a number of historical landmarks, including the Teatro Donizetti and the Santa Maria Maggiore church.

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Churches

Chiesa di Santa Maria Immacolata delle Grazie

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The church's origins date back to the 15th century when it was founded by the Franciscan order. Initially, it served as a convent church for the order, but over time, it evolved into a significant spiritual center for the city's inhabitants. The church's dedication to the Immaculate Conception of Mary reflects the deep-rooted Marian devotion prevalent in Bergamo and Italy as a whole. The Church of Santa Maria Immacolata delle Grazie showcases a harmonious blend of architectural styles, reflecting the various phases of its construction and renovation. The original structure exhibited a Gothic influence, evident in its pointed arches and ribbed vaults. However, subsequent modifications introduced elements of Renaissance and Neoclassical styles, creating a unique architectural tapestry. The church's interior boasts a wealth of artistic treasures, captivating visitors with their beauty and historical significance. The main altar, adorned with intricate marble carvings and sculptures, serves as a focal point of the church's interior. The walls are adorned with frescoes depicting biblical scenes and the lives of saints, adding to the church's spiritual atmosphere.

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Chiesa dei Santi Bartolomeo e Stefano

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This 17th-century church, dedicated to Saints Bartholomew and Stephen, is renowned for its stunning Baroque architecture and captivating interior, offering visitors a glimpse into Bergamo's artistic and spiritual legacy. Stepping into the Piazza Largo Belotti, visitors are immediately drawn to the Chiesa dei Santi Bartolomeo e Stefano's imposing façade, a masterpiece of Baroque architecture. Designed by renowned architect Antonio Maria Caneva, the façade showcases a harmonious blend of curves, columns, and statues, creating a visually stunning and dynamic composition. The façade's crowning glory is the upper tier, adorned with statues of the saints to whom the church is dedicated, adding a touch of religious symbolism to the architectural grandeur.

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Chiesa di San Marco

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The Chiesa di San Marco's origins can be traced back to the mid-16th century. Initially dedicated to the Holy Cross, the church was later renamed in honor of Saint Alexander of Bergamo, the city's patron saint. Over the centuries, the church underwent several modifications, reflecting the changing architectural styles and devotional practices of the time. The church's exterior showcases a harmonious blend of Renaissance and Baroque influences. The façade, adorned with pilasters and a central tympanum, reflects the Renaissance style's emphasis on symmetry and proportion. However, the church's interior boasts a more elaborate Baroque aesthetic, evident in the intricate stuccowork and ornate altars. This unique blend of styles adds to the church's distinct character.

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Basilica of St. Alexander in Column

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Situated in the city's lower town, the basilica is dedicated to Saint Alexander, the patron saint of Bergamo, and is revered for its rich architectural heritage and enduring spiritual significance. The origins of the basilica can be traced back to the 4th century, when a small church was erected on the site to commemorate the martyrdom of Saint Alexander. Over the centuries, the church underwent several expansions and renovations, reflecting the changing architectural styles of the era. In the 18th century, the church assumed its current Baroque appearance, characterized by its imposing façade and ornate interior. The basilica's exterior showcases a harmonious blend of Baroque and Neoclassical elements. The grand façade, adorned with columns, statues, and intricate carvings, sets the stage for the basilica's opulent interior. Upon entering, visitors are greeted by a spacious nave, adorned with frescoes, marble sculptures, and gilded altars. The basilica's impressive dome, rising above the central transept, adds to the sense of grandeur and spiritual awe. The Basilica di Sant'Alessandro in Colonna houses a wealth of artistic treasures, reflecting the devotion and craftsmanship of centuries past. The walls are adorned with frescoes depicting biblical scenes and the lives of saints, while the altars feature intricate sculptures and elaborate paintings. The basilica's collection of religious artifacts, including reliquaries and liturgical objects, further enhances its spiritual atmosphere.

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Monastero di San Benedetto

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Once a vibrant hub of monastic life, this 15th-century monastery now offers a captivating glimpse into Bergamo's rich past, captivating visitors with its architectural elegance and artistic treasures. Stepping through the entrance of the Monastero di San Benedetto, visitors are transported back to a bygone era, where the monastery's serene arches and tranquil ambiance once resonated with the prayers and contemplations of Benedictine nuns. The monastery's origins can be traced back to the 15th century when it was founded by the union of two Benedictine communities, Santa Maria Novella and Santa Maria di Valmarina. Over the centuries, the monastery witnessed the ebb and flow of time, serving as a place of study, prayer, and reflection for generations of nuns. The Monastero di San Benedetto showcases a harmonious blend of Renaissance and Baroque architectural styles, reflecting the evolution of the monastery over time. The monastery's original structure exhibited a Gothic influence, evident in its pointed arches and ribbed vaults. However, subsequent modifications introduced elements of Renaissance and Baroque styles, creating a unique architectural tapestry. The Monastero di San Benedetto is not merely a masterpiece of architecture but also a repository of artistic treasures. The monastery's walls are adorned with frescoes depicting biblical scenes and the lives of saints, adding to the monastery's spiritual atmosphere. These frescoes, with their vibrant colors and expressive figures, serve as windows into the religious beliefs and artistic sensibilities of the era.

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Church of the Holy Spirit

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The Chiesa di Santo Spirito's construction commenced in the early 16th century, driven by the growing devotion to the Holy Spirit among Bergamo's populace. The church's design was entrusted to renowned architect Giovanni da Ponte, who infused the structure with a harmonious blend of Renaissance and Baroque styles. The façade, adorned with pilasters, cornices, and a central rose window, exemplifies the Renaissance influence, while the interior's intricate stuccowork and elaborate altars showcase the Baroque style's grandeur. Stepping into the Chiesa di Santo Spirito, visitors are greeted by a dazzling array of artistic treasures that complement the church's architectural splendor. The walls are adorned with frescoes depicting biblical scenes and the lives of saints, adding to the church's spiritual atmosphere. These frescoes, executed by renowned artists of the era, showcase the mastery of perspective, color, and composition that characterized Renaissance art. Among the Chiesa di Santo Spirito's artistic highlights is the masterpiece "Madonna with Child, Saints Catherine of Alexandria, Augustine, Sebastian, and Anthony Abbot" by Lorenzo Lotto. This 16th-century painting, housed in the fourth chapel on the right, showcases Lotto's signature style, characterized by its vibrant colors, expressive figures, and intricate details. The painting's harmonious composition and masterful execution make it a must-see for art enthusiasts.

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Sant'Alessandro della Croce, Bergamo

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Tucked away amidst the winding streets of Bergamo's Lower Town (Citta Bassa) lies the Chiesa di Sant'Alessandro della Croce, a charming and historically significant church. Though less prominent than some of Bergamo's grander basilicas, this 16th-century church offers a captivating glimpse into the city's rich religious heritage and artistic legacy. The Chiesa di Sant'Alessandro della Croce's origins can be traced back to the mid-16th century. Initially dedicated to the Holy Cross, the church was later renamed in honor of Saint Alexander of Bergamo, the city's patron saint. Over the centuries, the church underwent several modifications, reflecting the changing architectural styles and devotional practices of the time. The church's exterior showcases a harmonious blend of Renaissance and Baroque influences. The façade, adorned with pilasters and a central tympanum, reflects the Renaissance style's emphasis on symmetry and proportion. However, the church's interior boasts a more elaborate Baroque aesthetic, evident in the intricate stuccowork and ornate altars. This unique blend of styles adds to the church's distinct character.

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Museums and cultural venues

Gaetano Donizetti Theater

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The Teatro Gaetano Donizetti is an opera house in Bergamo, Italy. Built in the 1780s using a design by architect Giovanni Francesco Lucchini, the theatre was originally referred to as either the Teatro Nuovo or Teatro di Fiera. It was originally called the Teatro Nuovo or Teatro di Fiera. It was renamed after Gaetano Donizetti, the city's most famous composer, in 1948. The theatre is a beautiful example of Neoclassical architecture and is home to a variety of opera, ballet, and music performances. The Teatro Gaetano Donizetti was built in the 1780s on the site of a former convent. It was designed by architect Giovanni Francesco Lucchini and was originally called the Teatro Nuovo or Teatro di Fiera. The theatre was inaugurated on 24 August 1791 with a performance of the opera La clemenza di Tito by Wolfgang Amadeus Mozart. The theatre was a popular venue for opera and other performances throughout the 19th century. However, it fell into disrepair in the early 20th century and was closed in 1929. The theatre was renovated in the 1950s and reopened in 1948 as the Teatro Gaetano Donizetti. It has since been a major venue for opera, ballet, and music performances in Bergamo.The Teatro Gaetano Donizetti is a beautiful example of Neoclassical architecture. The theatre's façade is adorned with columns, statues, and reliefs. The theatre's interior is also richly decorated, with frescoes, giltwork, and velvet upholstery.

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Auditorium di Piazza Libertà

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Built in the 1940s, the venue initially served as a cinema, offering a welcome escape from the realities of World War II. Over the years, the auditorium has undergone renovations and adaptations, transforming into a versatile space that accommodates a wide range of cultural events. Today, the Auditorium di Piazza Libertà stands as a beacon for Bergamo's cultural landscape. Its stage has graced with performances by renowned artists, from musicians and dancers to actors and comedians. The auditorium's diverse programming ensures that there's something for everyone, catering to a wide range of tastes and interests.

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Puppet Museum

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The Museo del Burattino (Puppet Museum) is a museum dedicated to the art of puppetry in Bergamo, Italy. It is located in the Palazzo della Provincia, on Via Tasso 8. The museum was founded in 1985 by the Associazione Amici del Burattino (Friends of the Puppet Association) and houses a collection of over 1,000 puppets from Italy and around the world. The museum's collection includes puppets of all shapes and sizes, from traditional marionettes to rod puppets, hand puppets, and shadow puppets. The puppets are made from a variety of materials, including wood, cloth, leather, and papier-mâché. The museum also has a collection of puppet theaters, scripts, and other ephemera related to the art of puppetry.

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Museo Diocesano Adriano Bernareggi

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After changing hands a few times, in 1891, Alberto Rathgeb became proprietor and 90 years later his heirs donated the property to the Diocese of Bergamo, in memory of Archbishop Adriano Bernareggi, to house the present museum, which previously had been housed in Casa Fogaccia in the upper city of Bergamo. The museum's collection is divided into three main sections: Medieval and Renaissance art: This section includes works of painting, sculpture, and goldsmithing from the 13th to the 16th centuries. Highlights of the collection include a 14th-century fresco of the Madonna and Child, a 15th-century wooden sculpture of Saint Sebastian, and a 16th-century illuminated manuscript. Baroque and Rococo art: This section includes works of painting, sculpture, and decorative arts from the 17th and 18th centuries. Highlights of the collection include a 17th-century painting of the Assumption of the Virgin by Giovanni Battista Moroni, an 18th-century sculpture of Saint Bartholomew by Francesco Cacciatori, and a collection of 18th-century rococo furniture. Modern and contemporary art: This section includes works of painting, sculpture, and installation art from the 19th to the 21st centuries. Highlights of the collection include a 19th-century painting of the Deposition of Christ by Francesco Hayez, a 20th-century sculpture of Saint Francis by Giacomo Manzù, and a 21st-century installation by Gian Maria Toto.

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GAMeC - Modern and Contemporary Art Gallery of Bergamo

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Founded in 1991, the GAMeC occupies a beautifully restored 15th-century convent, the former Dimesse and Servite convent, in the heart of Bergamo's Piazza Carrara. This cultural hub also houses the Accademia Carrara, a prestigious academy of fine arts, and the Civic Library of Bergamo. The GAMeC boasts over 1,500 square meters of exhibition space, offering a platform for a vast array of artistic expressions. The gallery is known for hosting temporary exhibitions featuring international and Italian artists, with a focus on the 20th and 21st centuries. The GAMeC's permanent collection, titled "The Impermanent Collection," is a dynamic and ever-evolving display that delves into the themes and movements that have shaped contemporary art. This ever-changing exhibition allows visitors to experience a diverse range of artistic mediums and perspectives.

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Accademia Carrara Museum

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Founded in 1796 by Count Giacomo Carrara, a passionate collector and patron of the arts, the Accademia Carrara houses an impressive collection of Italian paintings, spanning from the 15th to the 19th centuries. Count Giacomo Carrara's vision for the Accademia Carrara was to create a public institution that would preserve and showcase Bergamo's artistic treasures. His vast collection, amassed over a lifetime, formed the core of the Accademia's holdings, and his legacy continues to inspire the museum's mission to this day. Stepping into the Accademia Carrara is akin to embarking on a journey through the history of Italian art. The museum's galleries are adorned with masterpieces by renowned artists, from the Renaissance masters to the innovators of the 19th century. Visitors can marvel at the intricate details of Pisanello's illuminations, the expressive brushwork of Botticelli's portraits, and the dramatic light and shadow of Caravaggio's paintings. Among the Accademia Carrara's many gems, a few particularly notable works stand out: Pisanello's "Madonna and Child with Saints": This exquisite 15th-century illumination showcases Pisanello's mastery of detail and his ability to capture the beauty of the human form. Botticelli's "Portrait of a Young Man": This captivating portrait exemplifies Botticelli's skill in capturing the sitter's personality and psychological depth. Lotto's "Portrait of a Lady": This enigmatic portrait by Lorenzo Lotto is renowned for its subtle psychological nuances and the artist's innovative use of light and shadow. Moroni's "Tailor": This striking portrait by Giovanni Battista Moroni is a masterpiece of realism, capturing the sitter's individuality and social status with remarkable precision. Tiepolo's "Apotheosis of Hercules": This grand allegorical painting by Giambattista Tiepolo is a tour de force of Baroque exuberance and illusionistic technique.

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Parks and green spaces

Parco Suardi

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Parco Marenzi

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Parco Caprotti

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Parco del Galgario

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Sentierone

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Parco Fratelli Locatelli

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Coffee and sweets

Bugan Coffee Lab

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Da Gian

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Porticisei bar bergamo

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MURUMURU Café

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Elidor Patisserie

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Tresoldi La Boutique Del Pane

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Carmen - Taste Mediterranean

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Surya Gelateria

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Gelateria La Romana

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Restaurants

Taverna Valtellinese

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Casa Ernesto di Ernesto Valenti

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La Scagna

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Lostricheria

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Aneti' Osteria

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